2 years ago I started posting about taking breaks from the usual type of posts. Here are some pictures from the past few weeks/days.
.
Wednesday, December 31, 2014
Saturday, December 27, 2014
(Auto) GraphicBio - 10
As I stated in earlier posts, I am interested in documenting all that has influenced me visual as well as conceptually. Similar to Sol LeWitt's Autobiography series,
I am purely documenting my story: visually. Though my path isn't so
much chronological as it is categorized. So I have decided to start an
on going series of photographic images that are from my daily viewings.
Below is my latest post in a series of posts that document these exchanges.
Friday, December 19, 2014
Founder Effect: new drawings - part 7
Since I have been getting such a great response over the past few blog posts
with my new drawings I
decided to post some more to the blog. As stated in the last few blog posts, I
started
getting back into doing physical drawings. These physical drawings are
much
different to me than the digital drawings, and require much more
attentiveness to context and relations. Since this new series of
drawings has taken its own style I have named them. As previously stated, the work created
under this context are called, Founder Effect drawings.
Tuesday, December 9, 2014
Atom and Even: Pt. 0-2 - New series of digital drawings
Last week I was in a group benefit show at ABC No Rio with many artists such as Mike Estabrook, Vandana Jain, Tom Otterness, etc... I showed a new series, Atom and Even, unique digital drawings that are different than my usual format and context. These 3 drawings continue my interest in series/sequence, format and uniqueness. They all use the same base layer and 2 of the layer of drawings are unique and 1 drawings uses a combination of all 3 layers. I have really no rules about how to display them, I even welcome attaching the drawings to a monitor or TV to see them illuminated.
Labels:
benefit,
digital drawings,
drawing,
glow,
group show,
light/laser,
other
Sunday, November 30, 2014
Happy Holidays
Happy Holidays to all. Click on the image to see it larger. Please note: As always, due to the process and thinking in my creation of this: I consider this Graphic Design, not Fine Art; therefore it is OK being in color.
Labels:
design,
holiday greetings
Tuesday, November 25, 2014
Thankful for Fine Artworks
Below are some Artworks that have been at the core of my practice and artistic investigations for quite some time and some artworks that are relatively new to my understanding/awareness. I am grateful and thankful for them, they have given me joy and have shifted my perception of the world. Most are fairly modest works which fits into my aesthetic sensibilities. These works were found on various places around the internet--I host none of the images on my blog/site, these are just documented link for the purposes of reference. There is no hierarchy of importance to this list. Please note: there are many other works that I am thankful for that are not listed below.
Tender Are The Stairs To Heaven, 2004 - Yayoi Kusama
I experienced a version/edition of this work with a friend when visiting an art collectors open house 10 years ago. I am still mesmerized and in awe of it.
Étant donnés: 1° la chute d'eau / 2° le gaz d'éclairage (Given: 1. The Waterfall, 2. The Illuminating Gas), 1946–1966 - Marcel Duchamp
Maybe not his most famous, but his last work. It made me want to work on installation art and only installation art (which I feel is mostly still true)
All Memories Are Traces of Tears, 2010 - Brian Higbee
One of my favorite painting installations by Brian Higbee. The amount of different perspectives of this artwork has for psychological, perceptual, and dare I say: spiritual basis are infinite.
Meshes of Freedom, 1977 - Cildo Meireles
Maybe the ultimate grid artwork, since it is forever changing, evolving and other transformations.
From Beneath the Piano No. 7 ( from the Dust Project), 2009 - Sally Bozzuto
Galactic, musical (it's in the title), and maybe one of the greatest microcosmic investigations ever.
Two Running Violet V Forms, 1983 - Robert Irwin
His first permanent installation in California (maybe ever?). A work you truly need to visit multiple times during different times of the year to fully get it.
The Onyx of Electra, 1944 - Roberto Matta
I remember seeing this many years ago in the MoMA and it thoroughly shifting the amount of perspectives and structure you can have in a single 2D painting.
Floor with Horizontal Mirror, 1974 - Sylvia Plimack Mangold
Another work I saw in an art museum around 20 years ago that stuck in my head and I didn't really know why at the time.
Tender Are The Stairs To Heaven, 2004 - Yayoi Kusama
I experienced a version/edition of this work with a friend when visiting an art collectors open house 10 years ago. I am still mesmerized and in awe of it.
Étant donnés: 1° la chute d'eau / 2° le gaz d'éclairage (Given: 1. The Waterfall, 2. The Illuminating Gas), 1946–1966 - Marcel Duchamp
Maybe not his most famous, but his last work. It made me want to work on installation art and only installation art (which I feel is mostly still true)
All Memories Are Traces of Tears, 2010 - Brian Higbee
One of my favorite painting installations by Brian Higbee. The amount of different perspectives of this artwork has for psychological, perceptual, and dare I say: spiritual basis are infinite.
Meshes of Freedom, 1977 - Cildo Meireles
Maybe the ultimate grid artwork, since it is forever changing, evolving and other transformations.
From Beneath the Piano No. 7 ( from the Dust Project), 2009 - Sally Bozzuto
Galactic, musical (it's in the title), and maybe one of the greatest microcosmic investigations ever.
Two Running Violet V Forms, 1983 - Robert Irwin
His first permanent installation in California (maybe ever?). A work you truly need to visit multiple times during different times of the year to fully get it.
The Onyx of Electra, 1944 - Roberto Matta
I remember seeing this many years ago in the MoMA and it thoroughly shifting the amount of perspectives and structure you can have in a single 2D painting.
Floor with Horizontal Mirror, 1974 - Sylvia Plimack Mangold
Another work I saw in an art museum around 20 years ago that stuck in my head and I didn't really know why at the time.
Labels:
design,
holiday greetings,
other,
sustainable
Wednesday, November 19, 2014
Aurora - part 5 and new documentation method
I have begun a new series of digital drawings that are quite different
than previous digital drawings that I have made in the past. These drawings
have a different process and different aesthetic merits than previous
drawings.
Below are some new documents of some early digital drawings from the Aurora series.
I have received so many requests for the color versions for this I have come up with a compromise. I have shown some of the colors in each of the documented drawings.
Below are some new documents of some early digital drawings from the Aurora series.
I have received so many requests for the color versions for this I have come up with a compromise. I have shown some of the colors in each of the documented drawings.
Thursday, November 13, 2014
Aurora: a new series of digital drawings, part 4
I have begun a new series of digital drawings that are quite different
than previous digital drawings that I have made in the past. These drawings
have a different process and different aesthetic merits than previous
drawings.
Below are some new documents of some early digital drawings from the Aurora series.
Below are some new documents of some early digital drawings from the Aurora series.
Thursday, November 6, 2014
Fine Artist of the Month: Hyperlinked Note Symbols for Sally Bozzuto
Each month I am adding to an on-going series of writings and works about Fine Artists who work(ed), or are primarily working in the NYC area. This month I created a collection of hyperlinked Music Notation symbols for NYC area Fine Artist, Sally Bozzuto
♭ ♮
♭♭♭♭ ♮♮♮♮
♭♭♭♭♭♭ ♮♮♮♮♮♮
♭♭♭♭♭♭♭♭ ♮♮♮♮♮♮♮♮
♭♭♭♭♭♭♭♭♭♭ ♮♮♮♮♮♮♮♮♮♮
♯♯♯♯♯♯♯♯♯♯
♯♯♯♯♯♯♯♯
♯♯♯♯♯♯
♯♯♯♯
♯
♭ ♮
♭♭♭♭ ♮♮♮♮
♭♭♭♭♭♭ ♮♮♮♮♮♮
♭♭♭♭♭♭♭♭ ♮♮♮♮♮♮♮♮
♭♭♭♭♭♭♭♭♭♭ ♮♮♮♮♮♮♮♮♮♮
♯♯♯♯♯♯♯♯♯♯
♯♯♯♯♯♯♯♯
♯♯♯♯♯♯
♯♯♯♯
♯
Labels:
design,
FAOTM,
studio functions,
text
Wednesday, October 29, 2014
Aurora: a new series of digital drawings, part 3
I have begun a new series of digital drawings that are quite different
than previous digital drawings that I have made in the past. These drawings
have a different process and different aesthetic merits than previous
drawings.
Below are some new documents of some early digital drawings from the Aurora series.
Below are some new documents of some early digital drawings from the Aurora series.
Thursday, October 23, 2014
Aurora: a new series of digital drawings, part 2
I have begun a new series of digital drawings that are quite different
than previous digital drawings that I have made in the past. These drawings
have a different process and different aesthetic merits than previous
drawings.
Below are some new documents of some early digital drawings from the Aurora series.
Below are some new documents of some early digital drawings from the Aurora series.
Tuesday, October 14, 2014
Aurora: a new series of digital drawings
I have begun a new series of digital drawings that are quite different
than previous digital drawings that I have made in the past. These drawings
have a different process and different aesthetic merits than previous
drawings.
Below are some new documents of some early digital drawings from the Aurora series.
Below are some new documents of some early digital drawings from the Aurora series.
Thursday, October 9, 2014
Founder Effect: new drawings - part 6
Since I have been getting such a great response over the past few blog posts
with my new drawings I
decided to post some more to the blog. As stated in the last few blog posts, I
started
getting back into doing physical drawings. These physical drawings are
much
different to me than the digital drawings, and require much more
attentiveness to context and relations. Since this new series of
drawings has taken its own style I have named them. As previously stated, the work created
under this context are called, Founder Effect drawings.
Tuesday, September 30, 2014
Fine Artist of the Month: ABC's of Graffiti for Abey "Marz" Kenneth
Each month I am adding to an on-going series of writings and works
about Fine Artists who work(ed), or are primarily working in the NYC
area. This month I created an alphabetical, hyper linked list of Graffiti words and phrases for Abey "Marz" Kenneth.
all city
burner
crew
domming
end-to-end
fat cap
going over
heaven spots
insides
joke
king
legal
mop
one-liner
piece
racking
straight letter
throw-up
undersides
vandal squad/vandal task force)
writer
x-ing out
yellowing
zen
all city
burner
crew
domming
end-to-end
fat cap
going over
heaven spots
insides
joke
king
legal
mop
one-liner
piece
racking
straight letter
throw-up
undersides
vandal squad/vandal task force)
writer
x-ing out
yellowing
zen
Labels:
design,
FAOTM,
other,
studio functions
Monday, September 22, 2014
Founder Effect: new drawings - part 5
Since I have been getting such a great response over the past few blog posts
with my new drawings I
decided to post some more to the blog. As stated in the last few blog posts, I
started
getting back into doing physical drawings. These physical drawings are
much
different to me than the digital drawings, and require much more
attentiveness to context and relations. Since this new series of
drawings has taken its own style I have named them. As previously stated, the work created
under this context are called, Founder Effect drawings.
Subscribe to:
Posts (Atom)