FCRS installation series: Future Space of Relative Concerns 2001/2015

For the past few weeks I have posted a new series of new/old drawings for installations to be made. Here is the 3rd in this new series of drawings, I have started calling them FCRS (Future Concerns of Relative Space). For documentation of the original "Future Concerns..." installation see this older post

FCRS installation series: Relative Concerns of Future Space 2001/2015

Last week I posted a new series of new/old drawings for installations to be made. Here is the 2nd in this new series of drawings, I have started calling them FCRS (Future Concerns of Relative Space). For documentation of the original "Future Concerns..." installation see this older post

New/old installation: Concerns of Relative Future Space 2001/2015

Way back in 1999 I had many (Art) experiences and I also had an idea, that idea forever changed my production of Fine Art and my relation to it. The work, Future Concerns of Relative Space 1999/2001 (for more info see older work) was a dramatic change in comparison to the work I had done before that.

I had many ideas to expand this work and to use the medium of mono-filament solely in my production. This idea became some what strange as my relation to "Future concerns..." changed. Though I made some small sketches, but nothing every seemed to hold my attention.

I decided to revisit the use of mono-filament and decided to make another drawing for a proposed installation, Concerns of Relative Future Space. I might make more, I have not decided yet. I plan to install this work sometime soon in my studio, though I may have to build some new walls to accomplish this.

Since this is a sort of gray area work: being new/old I decided to display it in color.

Older work: update and questions

I have had requests and some feedback to see more documentation of my older work, more conceptually based work.

People have asked why I don't also have the older work as black and white (gray-scale) documentation as well? First, it is a great question, and I feel at the time I created the work I was very concerned with certain conceptual constructions and my newer work comes from a very different conceptual framework and deep concerns with the experience of the work. Needless to say, and as I have said before I have a deep interest in Conceptual Fine Art and its lineage in Fine Art. For more questions and answers about documentation click here.

Reminder: the images below were created before 2002, therefore they are documented in full color.

Here are some older pieces, some of which people thought should be shown on the site:

untitled (poverty), 2000
Plastic plunger, bond paper, food color dyed water.

Dismantling/de-installing: untitled (poverty)

untitled (RGB self portrait - Long Island, NY), 1999

Oil pastels on bond paper

Future Concerns of Relative Space, 1999/2001 {detail} 

Mono-filament, screws

Documented image from installation in CUANDO 2001 group show,
Willoughby Sharp gallery/room 

Future Concerns of Relative Space, 1999/2001 {extreme detail} 

Mono-filament, screws

Documented image from installation in CUANDO 2001 group show,
Willoughby Sharp gallery/room

Untitled (FLAT), 2000 {detail} 

ballpoint pen on bond paper

Untitled, 1999

charcoal on newsprint paper